I had a run-in with a very large cricket (seriously, it was almost as big as a cat) while I was doing this, but I managed to stay still.
Eight seconds seems like a long time while barefoot on tiptoe on cement.
I think I have a better idea for this, but I wanted to try something first.
I may have to make a set for photos featuring those shoes.
I'm going to stop writing one-sentence statements about this now.
The elements for Iron Photographer 33 were inspired by the recent Sunday Salon on Brassaï:
1 - shot at night
2 - dramatic light source
3 - black and white
The first element, shot at night, is abundantly clear. You can tell it's night because the sun has set. If the sun is out, it's not night. We don't care if you shoot the photograph inside or outside so long as the sun has passed below the horizon.
The second element, dramatic light source, is the most ambiguous one. You'll have to decide that for yourself, but it won't hurt to take a look at some of Brassaï's work.
Finally, we want the photograph to Brassaï be in black and white. We don't care if you shoot black and white or if you make it black and white in post-processing. How you get it to be black and white is entirely up to you.
That's it. Go get Parisian.